Padmaavat Movie Review!

Surviving violent protests, set vandalism, riots, gender change (Padmavati to Padmaavat) among other things, this magnum opus has finally found its way to the theatres. 

Indian media had devoted days and nights, articles and interviews regarding the outcome, twists and turns of events and tiniest irrevalant details. Some people definitely got their days of glory!

Padmaavat is set on a historical timeline and the notions/customs existed then should be respected. You cannot cry foul over jauhar in context with today's time. I don't think Sanjay Leela Bhansali glorified it, but simply depicted a story. 

There are many scenes which gives you the  deja vu feelings about his earlier movies. 

The chandelier scene will flash Nandini and Sameer in your mind. The innumerable water bodies in the rooms and courtyard will remind you of Bajirao Mastani and Devdas. War scene will make you remember Bajirao whereas Khilji's Khalbali song (with hyper choreography) remisences the Malhari song. The rani handing over the talwar to her king.

Although the movie is magnificently made, you can't help but be little disappointed. 

I felt it like, Old wine in new bottle in few parameters. Undoubtedly the sets, cinematography, jewellery, costumes make it a visual treat, however the length of the movie makes it a little drag. Deepika's Nath was the best amongst her jewellery. 

Padmaavat belongs to Ranveer Singh for his superlative performance - his khilji is ruthless, obsessive, confident bordering on arrogance. To Shahid Kapoor for his amazing body language of a feisty rajput king and warrior. To Deepika Padukone for her ethereal looks and eyes- she rocks the climax scene. 

Sanjay Leela Bhansali surely knows how to get the best of acting from his actors. The eyes convey myriad of emotions effectively. 

Watch this for Ranveer Singh -- for his megalomania, the visual treat (as always) and because it is the current flavour of the season.